All Japan: Champions Carnival 2011 - Day 1

I've always really enjoyed a Japanese wrestling tournament, even when I have reservations about the quality of the Japanese wrestling. They can act as a sense-check for the worst excesses of the style, allowing me to watch guys with some fun stuff but not have to endure 25 minute overkill-fests. They can also add some much needed extra dimensions to the matches, both by adding an overall goal and also by allowing mini-stories to develop in a reasonably self-contained environment.

Anyway, it's 2011, and I have some pretty severe reservations about watching All Japan, but I am endeavouring to review all of the Champions Carnival. Outside participants are a mixed bag - Jun Akiyama is in, but so is Yuji Nagata. Akiyama is maybe the only heavyweight in Japan able to still work that style well, while I haven't cared about Nagata at all in a couple of years. Then again, it's always good to revisit assumptions, so maybe I'll be surprised. Suzuki and Funaki are both in, but no Nishimura. No Mutoh or Kojima either (has something happened there?). The rest of the lineup is the usual All Japan guys: Suwama, Kea, Hama, KENSO, Doering, KONO and Sanada.

Show opens with Seiya Sanada vs. Joe Doering. This was laid out as a pretty typical big man vs. little man match. I thought Doering was good in his role - he threw Sanada around a bunch, and thought he bumped around quite well for Sanada's comeback. I didn't like Sanada's hurricanrana reversal of the powerbomb that set-up the finish - it looked clumsy and fake. Sanada does the plucky underdog thing with fighting spirit thing, and it's very OK. He did have a tendency to alternate from selling to moving normally for the purpose of some of the exchanges, which was irksome.

Ryota Hama vs. Takao Omori was next. Any Hama match is always going to be about how he is enormous - it's all fat-man offence, avoiding fat-man offence, and offence scuppered by fat-man. It's an easy formula, and I don't find the layout of the match objectionable. Omori has some really annoying stuff though that distracts from it's execution - his two selling modes are: winded, and puzzled. Neither are good. I didn't buy his lariat as the finish either. I can't decide whether that was a bumping problem, but Omori's lariat always looks pretty low-impact against smaller guys, so it's not surprising I think much of the finish here either.

Minoru Suzuki vs. KENSO was a really weird match. I often get tired with Suzuki matches because he often seems willing to forgo the story or structure of a match in order to get his act over. Its good to see a Japanese wrestler with that level of charisma, but better wrestlers will work it into a match rather than use it to completely override it. Here, though, KENSO was giving Suzuki nothing, no-selling loads of stuff and not really bringing much on offence either, except some open-handed slaps. It seemed like Suzuki was having to try anything to keep the match going, but he isn't a patient man, and by the end, he seemed really irritated. There was a long sleeper hold where KENSO looks legitimately half-unconcious, but doesn't fight it. All pretty awkward, and a little uncomfortable too.

KONO vs Yuji Nagata really wasn't any good. It had a pretty bad case of my-turn-your-turn-itis, and nothing really went anywhere. Nagata targets KONO's leg for a while, but that gets dropped soon after. This match seemed caught between trying to establish Nagata as a major contender and playing off him being outsized. In the end, Nagata won relatively simply, but he neither seemed all-conquering, or like a gritty survivor. They both pretty much just roll through his stuff and eventually, something gets a pin. I think it was a backdrop driver, but it could have been anything, really - it's not like anything mattered.

Taiyo Kea vs. Jun Akiyama was the highlight of the show - it went to a thirty minute draw, and was really well put together. It's not on the level of Akiyama's best long match stuff from 2010, but I really liked it all the same. They start off with some really nice matwork, non-perfunctory stuff where both guys seemed to be fighting for control. The section ends with a burst of Akiyama offence and a nearfall - Kea rolls out of the ring, ultimately leading to Akiyama getting dropped on the back of his head on the mats. This feels like a Akiyama trademark in some of his better carryjobs, and gave the match (and his oppenent) something to work around. Akiyama's selling is really good, and I though his comebacks were well timed to keep the match interesting. Kea didn't quite have enough stuff to fill the middle part (there was a bit of repetition), but I didn't feel like he was being majorly carried. He certainly laid in with his chops, which looked pretty vicious. Jun's final comeback starts with some great opportunism - a drop toehold onto the rail, then a follow-up knee into the same barrier. The final stretch was well paced - Akiyama is great at this heavyweight epics because he brings the right balance of realistic fatigue and fighting-on, and Kea certainly seemed to be following suit for the most part. I would have preferred that there hadn't been a kickout from the super Exploider - that felt like it should have been a match-ender - but that was really the only complaint. The story seemed to be that Akiyama was close to victory but just ran out of time, which is much better way of finishing than these thirty minute draws where guys are just throwing out stuff and waiting for the bell.

Suwama vs. Masakatsu Funaki is the final match of the show. On one level, it's a story of powerful youngster against a crafty veteran submission fighter. On another level, it's a great satire on the state of the Japanese education system. Funaki focuses on attacking Suwama's arm, with nasty kicks and armbar submissions. Suwama, however, in the role as a young man failed by the schooling system, fights back using this arm for lariats, this arm for forearms and this arm for pretty much everything else. Every time he does so, he receives a pain in this arm, but, due to his inadequate teachers, can not connect cause and effect. You can see it baffles him - sometimes he takes a few seconds to pause and reflect on the puzzle, standing motionless until he abandons the puzzle and clutches his arm instead. Funaki's persistence and strategy ultimately pays off and ... no, sorry, my mistake, Suwama wins because he is strong and mighty. Don't stay in school, kids.